10 April
10:30 - 12:00
Musée du Léman
Free without reservation
Discussion in English
How can time be represented in documentary film, particularly that of the characters who inhabit it and experience the filming as a unique interlude in the course of their existence? How can the camera become the instrument they seize upon to (re)invent their story? The moving image has become one of the favoured time capsules for (re)discovering or forging a path through the oppressive weight of the present.
Speakers:
Clarisa Navas (dir. The Prince Of Nanawa)
Sophie Bédard Marcotte (dir. J'ai perdu de vue le paysage)
Baptiste Janon & Rémi Pons (dir. Les Vies d'Andrès)
Giulia Cosentino (dir. The First Times)
10:30 - 12:00
Musée du Léman
Free without reservation
Discussion in English
How can time be represented in documentary film, particularly that of the characters who inhabit it and experience the filming as a unique interlude in the course of their existence? How can the camera become the instrument they seize upon to (re)invent their story? The moving image has become one of the favoured time capsules for (re)discovering or forging a path through the oppressive weight of the present.
Speakers:
Clarisa Navas (dir. The Prince Of Nanawa)
Sophie Bédard Marcotte (dir. J'ai perdu de vue le paysage)
Baptiste Janon & Rémi Pons (dir. Les Vies d'Andrès)
Giulia Cosentino (dir. The First Times)